3 Review(s)

Kayabat-meye means - well done girl. Brave girl She is the new heroine of modern times. This girl is completely different from the girls who used to take a vow of dressing, lovingly and giving food to get their hair. As in dress and behavior. Bengali says as unrecognizable. There are actually seven women in seven articles, seven symbols, seven types of life and suffering, seven perspectives to capture one society and several times. Seven pictures of social transition by Sripanthar Analytical pen. The emergence of the new Bengali girls of the 19th century school-college and their coming out through the heavy woolen veil of the old society, like, say, in 'Kyabat Mey', another kind of society within the society. Women's lives are also covered in other articles. Such a composition 'Kalabibi'. When the girl of this country is living with Safed Saheb, her life and world. But these socio-historical writings about girls do not only inspire the women of that time, but also their own men, relatives and men around them. The men's society that had once called a meeting about the right of girls to worship is at the foot of the monument in Maidan. In the essay on Pot's wives, besides Pat, Patua and Patstha Patiyasis, the author also presents the background of Babu's house and garden house entertained by the wives. The author writes about the Indian youth crazy for dark-skinned, smoky foreigners. The question has been raised elsewhere - Why is the custom of painting Siktabasana Sundari common among Bengali artists? One of the many curiosities of the author - who are the beauties of Kalighat pot? Why is Bengali boys so obsessed with European beauties? The present book is a seven-page treatise. Where there are seven-seven thoughts in the reservoir of seven contexts. Many questions, many answers venture. A pictorial report of Bengali psyche. All the rare pictures that enliven the colorful work | A-hen a book in Bengali is also unparalleled. Calcutta is one; That said, he is not the same all the time, everywhere. From village to village, from season to season, from era to era, from page to page of history, it has different appearance. And among those who wander in their own mind and manner in this strange geography, history and culture maze of Calcutta, the name of one person should be mentioned, for a very logical reason - Sripanth. Sripanth is a journalist by profession, socio-historian by passion. Since Calcutta is his universe, so is his movement in two-and-a-half years of history. The limit of his journey can also be said to be Tala to Talliganj. and, most notably, Baruipur to Barrackpore. But he made this limit infinite in fifteen-twenty memorable books. It is called 'Sripanthor Calcutta'. Actually it is the name of one of his books. Other books include 'When the printing press came', 'Elokeshi Mahant Sambad'. He has a long work on battala wood carving. Also wrote the first printed book on Haled's grammar. All these writings have benefited Bengali Calcutta culture in one way or another. But he traveled outside Kolkata from time to time in books like 'Thagi', 'Devdasi', 'Harem', 'Mangal Pander Bicher' etc. Whether it's Calcutta or other history, whatever Sripanth writes about, he creates an extraordinary combination of theory and facts. And writes in a masterful, inimitable, juicy pen. Ever since his first book 'Ajab Nagri' written in his early youth, he has conquered the Calcutta-loving and history-minded readership. Even though the seriousness of the subject has increased from time to time, his writing technique has remained as juicy and masterful as before. The present book, consisting of seven essays, is also the result of keen vision and deep thought